This was Caspars submission to Nobrow magazine. This is two colours not including stock and is made up of quite thick textural line work to make tones and shades on top. In print, it almost looks like a hand coloured photocopy because of the level of detail in it. What I like most about this image is the actual form he has chosen to give the jellyfish, with long tapering tentacles (Or cilia, as I have found out throughout gathering the copy for my book.)
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